Glossary of Japanese Terms
| Term | Japanese (Kanji) |
English Equivalent |
|---|---|---|
| 0 | ||
| Ichi | 一 | One |
| Ni | 二 | Two |
| San | 三 | Three |
| Shi (Yon) | 四 | Four |
| Go | 五 | Five |
| Roku | 六 | Six |
| Shichi (Nana) | 七 | Seven |
| Hachi | 八 | Eight |
| Kyu | 九 | Nine |
| Ju | 十 | Ten |
| A | ||
| Ai Hanmi | 相半身 | Mutual stance: both partners in right posture, or both in left posture. Compare: gyaku hanmi. |
| Aikido | 合氣道 | “The Way of Harmony with Universal Energy.” |
| Aikikai | 合氣会 | “Aiki-community”: an organisation for the teaching of Aikido. |
| Ashi | 足 | Foot, or leg. Also “a way of walking”, as in suri ashi. |
| Atemi | 当て身 | “To strike the body”: an actual or feigned blow to a weak point to unbalance or distract one's oppponent. |
| B | ||
| Bokken | 木剣 | Wooden sword; the wooden equivalent of the katana. |
| Bu | 武 | Martial. For example, budo, the martial way. |
| C | ||
| Chi | 地 | Earth, or ground. |
| Chudan | 中段 | Mid-level. Used to describe the part of the body between the mid-chest and abdomen, or a technique executed at this level. Compare: gedan and jodan. |
| D | ||
| Dan | 段 | Level, or grade. For example, chudan. Used to denote “black belt” ranks, as opposed to kyu for “white belt” ranks. |
| Do | 道 | Way, or path. For example, Aikido, the way of Aiki. |
| Do | 胴 | Torso, or trunk of the body. For example, do kiri, a horizontal cut aimed at the torso. |
| Dojo | 道場 | “Way-place”: a place given over to the practice of a “way” such as Aikido. |
| Dori | 取り | To hold, or to take. For example, katate dori or jo dori. |
| E | ||
| Ei Mei Kan | 英明館 | “The House of England's Light.” |
| G | ||
| Garami | 絡み | To entangle, or to entwine. For example, ude garami nage. |
| Gedan | 下段 | Low-level. Used to describe the part of the body below the abdomen, or a technique executed at this level. Compare: chudan and jodan. |
| Gokyo | 五教 | “Fifth teaching”: the fifth basic technique, applying pressure to the wrist. Often used to remove a knife or other weapon. |
| Gyaku | 逆 | Opposite, or reverse. |
| Gyaku Hanmi | 逆半身 | Opposite stance: one partner in right posture and the other in left posture. Compare: ai hanmi. |
| Gyakute | 逆手 | Opposite hand, or reverse grip: to hold a jo with the palm of the hand facing downwards. |
| H | ||
| Haishin Undo | 背身運動 | “Back of body movement”, i.e. back stretch. |
| Hakama | 袴 | Traditional Japanese men's over-trousers. The divided skirt work by senior practitioners of Aikido (of both genders). |
| Hara | 腹 | The lower abdomen; the physical and spiritual centre. |
| Hanmi | 半身 | “Half-body”: the oblique stance that is the standard posture in Aikido practice. |
| Hanmi Handachi Waza | 半身半立ち技 | “Half-body half-standing technique”: describes techniques in which a standing uke attackes a seated nage. Compare: suwari waza and tachi waza. |
| Henka | 変化 | To change. For example, henka waza or tai no henka. |
| Henka Waza | 変化技 | To change technique part-way through execution in response to uke or other circumstances. For example, to begin with ikkyo and then execute kote gaeshi. |
| Hidari | 左 | Left. Compare: migi. |
| Hiji | 肘 | Elbow. |
| Ho | 方 | Direction, or side. For example, shiho nage. |
| Ho | 法 | Method, rule, or way of doing. For example, kokyu ho. |
| I | ||
| Iaido | 居合道 | “The Way of Harmonious Being”: the traditional Japanese art of drawing the katana, cutting the opponent, and returning the sword to its sheath. |
| Ikkyo | 一教 | “First teaching”: the first basic technique, controlling the elbow. |
| Irimi | 入り身 | To enter with the body. |
| Irimi Nage | 入り身投げ | “Body-entrance throw“. |
| J | ||
| Jiyu | 自由 | Free, or freedom. For example, jiyu waza is “free technique”, i.e. application of any technique in response to the attack. |
| Jo | 杖 | Wooden staff, approximately 1.3 metres long. |
| Jo Dori | 杖取り | Techniques used to disarm an attacker wielding a jo. |
| Jodan | 上段 | High-level. Used to describe the part of the body above the chest and shoulders, or a technique executed at this level. Compare: chudan and gedan. |
| Juji Nage | 十字投げ | “Figure-ten throw“: throw using uke's arms locked against one another. So called because the Sino-Japanese character for ten is a cross-shape: 十. |
| K | ||
| Kaeshi (Gaeshi) | 返し | To turn back, or to reverse. |
| Kaeshi Waza | 返し技 | To reverse technique, i.e. the original uke takes the advantage and executes technique upon the original nage. |
| Kaiten | 回転 | Turning, or rotation. |
| Kaiten Nage | 回転投げ | Rotary throw. |
| Kamae | 構え | Posture, or stance. |
| Kata | 型 | Form, style, or posture. |
| Kata | 肩 | Shoulder. |
| Kata Gatame | 肩固め | To pin the shoulder. |
| Katame (Gatame) | 固め | To stabilize, i.e. pin. For example, kata gatame. |
| Katame Waza | 固め技 | Pinning technique. Compare: nage waza. |
| Katana | 刀 | The traditional long sword of the samurai; the wooden equivalent is the bokken; a lighter blade used for Iaido practice is known as an iaito. |
| Katate | 片手 | One hand. |
| Katate Dori | 片手取り | Nage has one hand held by one of uke's hands. Compare: morote dori and ryote dori. |
| Keiko | 稽古 | Practice, or training. |
| Keiko Gi | 稽古着 | The white clothing (jacket, trousers and belt) worn during training. |
| Kesa | 袈裟 | The diagonal line of a keiko gi collar from the shoulder to the hip. |
| Kesa Giri | 袈裟切り | A diagonal cut from shoulder to hip, along the line of the kesa. |
| Ki | 気 | Breath, or energy. |
| Kihon Waza | 基本技 | Basic, or foundational, techniques. Compare: ki no nagare. |
| Ki No Nagare | 気の流れ | “The flowing of energy.” This term is used to describe advanced, almost formless technique. Compare: kihon waza. |
| Kiri (Giri) | 切り | To cut. |
| Kohai | 後輩 | Junior; a term for a fellow-student more junior than one's self, but not to be used as a term of address. Compare: sempai. |
| Kokyu | 呼吸 | Breath, or breathing. |
| Kokyu Ho | 呼吸法 | Breathing method. |
| Kokyu Nage | 呼吸投げ | “Breath throw.” |
| Koshi | 腰 | The lower back and hips; the lumbar region. |
| Koshi Nage | 腰投げ | A throw using the koshi, i.e. a hip throw. |
| Kote | 小手 | The wrist; also known as tekubi. |
| Kote Gaeshi | 小手返し | Technique in which the wrist is turned backwards towards uke's body. |
| Kubi | 首 | Neck. |
| Kubi Nage | 首投げ | An advanced technique in which uke is thrown using his/her neck. |
| Kubi Shime | 首締め | To squeeze the neck, i.e. strangle. |
| Kyu | 教 | Grade, or level. Used to denote “white belt” ranks, as opposed to dan for “black belt” ranks. |
| M | ||
| Mae | 前 | Front, or forwards. For example, mae ukemi, a forward roll. Compare: ushiro. |
| Ma Ai | 間合 | Distance, or spacing. An intuitive sense of “the right distance” between one's self and a potential opponent. |
| Mi | 身 | Body, or self. |
| Migi | 右 | Right. Compare: hidari. |
| Morote Dori | 諸手取り | Nage has one hand held by both of uke's hands. Compare: katate dori and ryote dori. |
| Mune | 胸 | Chest, or lapel. |
| N | ||
| Nage (Tori) | 投げ | A throw, or one who executes a throw (or, by extension, any technique). Compare: uke. |
| Nage Waza | 投げ技 | Throwing technique. Compare: katame waza. |
| Nikkyo | 二教 | “Second teaching”: the second basic technique, applying pressure across the wrist. |
| O | ||
| Obi | 帯 | Belt. |
| Omote | 表 | Face, or in front; used to denote techniques in which nage passes in front of uke. Compare: ura. |
| Otoshi | 落とし | Drop. For example, sumi otoshi. |
| R | ||
| Rei | 礼 | Respect, or polite courtesy; a bow. |
| Rokkyo | 六教 | “Sixth teaching”: the sixth basic technique, applying pressure to the wrist, elbow and shoulder. |
| Ryo | 両 | Both. For example, ryokata dori and ryote dori. |
| Ryokata Dori | 両肩取り | Nage has both shoulders held. |
| Ryote Dori | 両手取り | Nage has both hands held by both of uke's hands. Compare: katate dori and morote dori. |
| S | ||
| Sankyo | 三教 | “Third teaching”: the third basic technique, turning the wrist. |
| Seiza | 正座 | “Proper sitting“: kneeling with the toes flat. Also known as zaho. |
| Sempai | 先輩 | Senior; a polite term of address for a fellow-student more senior than one's self. Compare: kohai. |
| Sensei | 先生 | Teacher, or instructor. |
| Shidoin | 指導員 | A certified instructor. |
| Shihan | 師範 | Master teacher, a teacher of teachers. |
| Shiho Nage | 四方投げ | “Four-directional throw.” |
| Shikko | 膝行 | Knee walking. |
| Shime (Jime) | 締め | To tighten, or to squeeze. For example, kubi shime, to strangle. |
| Shinai | 竹刀 | A bamboo sword of the type commonly used in kendo. Made from many strips of bamboo, whereas a bokken is carved from a single piece of wood. |
| Sho | 初 | First, or the beginning. For example, someone holding a first dan grade is said to be shodan. |
| Shomen Uchi | 正面打ち | To strike the front of the opponent's head. |
| Shoto | 小刀 | Wooden short sword; the wooden equivalent of the wakizashi. |
| Sode | 袖 | Sleeve. For example, sode dori, grabbing the sleeve. |
| Soto | 外 | Outer, or outside. Compare: uchi. |
| Suburi | 素振り | Cutting practice with a weapon. |
| Sumi Otoshi | 隅落とし | “Corner drop.” |
| Suwari Waza | 座り技 | “Seated technique”: describes techniques in which both uke and nage are steated at ground level at the beginning of the encounter. Compare: hanmi handachi waza and tachi waza. |
| Suri | 擦り | To slide, to scrape, or to rub. For example, suriashi. |
| Suriashi | 擦り足 | “Sliding foot”, i.e. a sliding step. |
| T | ||
| Tachi Dori | 刀取り | Techniques used to disarm an attacker wielding a bokken or katana. |
| Tachi Waza | 立ち技 | “Standing technique”: describes techniques in which both uke and nage are fully standing at the beginning of the encounter. Compare: hanmi handachi waza and suwari waza. |
| Tai | 体 | Body, or object. |
| Tai No Henka | 体の変化 | “Change of body”, i.e. turning motion. |
| Tai Sabaki | 体捌き | “Body management.” |
| Tanto | 短刀 | Knife, or dagger. |
| Tanto Dori | 短刀取り | Techniques used to disarm an attacker wielding a tanto. |
| Tatami | 畳 | Traditional Japanese matting. |
| Te | 手 | Hand. |
| Tegatana | 手刀 | “Hand-blade”: the outer edge of the hand. |
| Tekubi | 手首 | Wrist; also known as kote. |
| Ten | 天 | Heaven, or sky. |
| Tenchi Nage | 天地投げ | “Heaven-and-earth throw.” |
| Tenkan | 転換 | Turning motion. |
| Tsuki | 突き | Thrust, or punch. |
| U | ||
| Uchi | 内 | Inner, or inside. Compare: soto. |
| Uchi | 打ち | To strike, or to hit. |
| Uchideshi | 内弟子 | A live-in student of a dojo. Often, an uchideshi is training to become a teacher. |
| Ude | 腕 | Arm. |
| Ude Garami Nage | 腕絡み投げ | “Arm entanglement throw.” |
| Uke | 受け | “The receiver”: the person whose rôle in practice is to receive the technique. Compare: nage. |
| Ukemi | 受身 | To receive (technique) with the body. |
| Undo | 運動 | Movement, or exercise. For example, haishin undo. |
| Ura | 裏 | Behind; used to denote techniques in which nage passes behind uke. Compare: omote. |
| Ushiro | 後ろ | Back, or behind. Compare: mae. |
| W | ||
| Wakizashi | 脇差 | “Side-arm”: the traditional short sword of the samurai; the wooden equivalent is the shoto. |
| Waza | 技 | Technique. |
| Y | ||
| Yokomen Uchi | 横面打ち | To strike the side of the opponent's head. |
| Yonkyo | 四教 | “Fourth teaching”: the fourth basic technique, applying pressure to the forearm. |
| Z | ||
| Zaho | 座法 | “Sitting method“: another term for seiza. |
| Zanshin | 残心 | “Lingering mind”, or awareness: a connection that persists between nage and uke after the completion of a technique. |
| Zazen | 座禅 | Sitting meditation. |

